Castor had developed a penchant for cover tunes so seemingly inappropriate as to often come across as downright surreal.He would go on to fill out LPs with versions of "Purple Haze," "You Light Up My Life," "Daniel," and "Stairway To Heaven." Smash was never able to aptly follow up on the success of "Hey, Leroy," even when Castor presented them with a natural follow-up with "Leroy's In The Army," so soon he left Smash and cut sides for Compass ('68), Capitol ('68-'69), and Kinetic ('70) before being inked to RCA in '71.
Castor had developed a penchant for cover tunes so seemingly inappropriate as to often come across as downright surreal.Tags: Online free dating sex no credit carddating black professional men ukDialogue for sex chatphuket thailand dating escort serviceonline dating and statisticscousin dating my excornish dating siteFirst chat and sign up free sex
By this time the billing was The Jimmy Castor Bunch, and in addition to Jimmy on sax, timbales, and vocals were Gerry Thomas on trumpet and piano, Harry Jensen on guitar, Lenny Fridle, Jr., on congas, and old Harlem doo-wop buddy Doug "Bubs" Gibson (formerly of The Vibraharps) on bass.
Their first LP It's Just Begun-was released in March 1972, followed by the single, "Trogiodyte (Cave Man)," and soon it was off to the races.
Smash issued an LP to cash in on the hit in early '67.
The Hey Leroy album was a mixed bag, featuring the title track, a couple of nice originals (heard here is "Southern Fried Frijoles," another fine Latin jam), as well as a couple of cover tunes-"Winchester Cathedral" and "Old Man River"-that even when heard are not to be believed.
This was followed by Dimension N in 1973, yet another solid collection. and his only other chart showing for the label was the ristrurriental ballad "Soul Serenade." In 1974 The Jimmy Castor Bunch switched labels to Atlantic The first effort for the new label was billed as Jimmy Castor (The Everything Man) And The dimmy Castor Banch.
The first single released was "Maggie," a super furiked-up rendition of a tune by the Native American rock group Redbone (of Come And Get Your Love" fame), and here's one example of how Jimmy's oddball choice in cover tunes was right on target: it remains one of his finest recordings. however, arid by their second Atlantic LP Castor returned to what he knew the public wanted-more Bertha Butt!"Troglodyte (Cave Man)," which exemplifies this, was one of the monster records of '72, rising to #6 on the pop charts by May of that year, as well as being one of the discs that refined that coining funk explosion of the mid -70s. There had never been a groove this fat blasting out of AM radio.Opening with a spoken word introduction (which would become a favorite sample of old school rap DJ Afrika Bambataa at New York's Boxy disco)-"There was a time when men lived in caves.... Castor's approach to prehistoric sexism was so obviously tonque-in-cheek and full of good humor that even in those heady years of social outrage and the women's movernerit (remember this was the same year that John Lennon was to inform us that "Woman Is The Nigger Of The World"), nary a ferri complained, to the contrary, the song's central figure-Bertha Butt (one of The Butt Sisters)-would become (along with the aforementioned Leroy) Castor's most beloved character, Ending with the echo-laden scream 'Hot i Hut Pants!singing bass, Johnny Williams, tenor, and Orton Graves, baritone).They managed to hook up with Wing, Mercury's R&B subsidiary for their debut disc, I Promise To Remember," which The Teenagers would cover and take into the Top 10 in the summer of '56.It's Just Begun is Castor's masterpiece, the most fully realized example of his vision and his most successful album to boot. and Castor begins the wild and woolly tale of primitive love.In addition to tapping into his doo-wop and Latin soul roots, The Jimmy Castor Bunch had developed a relentlessly funky groove, with full-bodied churning bass, ultradistorted fuzz-tone guitar, and layered percussion. It's funny, menacing, and funkier than anything that had come before it.In Sugar Hill, The Valentines, The Harptones, The Cleftones, and The Scarlets were the local stars all having made it downtown to cut discs.It was The Teenagers (originally The Premiers), however-"the first super group," as Jimmy would remember them-that first ruled the corner of Edgecome Avenue and 1 64th Street and later the world.y late '57 Castor was subbing for Frankic Lyman, who had split from The Teenagers and was just beginning the long decline that would end 11 years later when he OO'd in his grandmother's bathroom.Castor no doubt learned some valuable lessons from witnessing all of Lymon's mistakes firsthand, for as Lymon's star descended, Castor's would slowly rise and rise and rise.